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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Festivals Film Reviews

Witches (2024)

Film Reviews Oscar Nominated

Nosferatu (2024) : Return of the Frightfully Familiar

Festivals Film Reviews

Pavements (2024): On the World’s Most Important Band

Festivals Film Reviews

Witches (2024)

Film Reviews Oscar Nominated

Nosferatu (2024) : Return of the Frightfully Familiar

Festivals Film Reviews

Pavements (2024): On the World’s Most Important Band

Festivals Film Reviews

Witches (2024)

Updated on 7 October 20241 October 2024Festivals Interviews

Interview: ‘The Stimming Pool’ (LFF 2024)

Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …

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23 March 202523 March 2025Festivals Film Reviews

Pavements (2024): On the World’s Most Important Band

Carys Manjdadria-Jenkins pins down Alex Ross Perry’s Pavements, a documentary/mockumentary/fictional concert film which stands out in the sea of musical biopics as a ‘semiotic experimental’ …

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Updated on 12 March 202512 March 2025Festivals Film Reviews

Witches (2024)

Carys Manjdadria-Jenkins reviews Witches– Elizabeth Sankey’s essayistic film examination of mothers, witches, and the ways we mishandle both. Women often come in threes. The high …

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26 February 202526 February 2025Film Reviews Oscar Nominated

Nosferatu (2024) : Return of the Frightfully Familiar

Euan Toh takes stock of the Stoker narrative remake, weighing it up against past versions to see if this year’s take on the vampire can …

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Updated on 21 February 202521 February 2025Festivals Film Reviews

The Flesh of Language (2024)

Carys Manjdadria-Jenkins analyses the effect of Amanda Rice’s documentary on analogue media and animal extinction, The Flesh of Language. The body of analogue media and …

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19 February 202519 February 2025Film Reviews Retrospectives

Don’t Read While You Eat

Sothysen Tuyor reconsiders Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) fifty years after its release and three years after being voted …

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Updated on 18 February 202518 February 2025Essays Retrospectives

Salt of the Earth (1954): The Ultimate Red Scare Counter-Narrative 

Edward Lahner looks back on Herbert J Biberman’s Salt of the Earth, telling the remarkable tale of its production and reception history from the McCarthy …

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Updated on 6 February 20256 February 2025Film Reviews

Nickel Boys (2024)

Our festival correspondent Carys Manjdadria-Jenkins considers RaMell Ross’ Nickel Boys (2024) and the fleshing-out effect of film. Since we first put celluloid to screen, assembly …

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6 February 20256 February 2025Film Reviews

How to Make Millions Before Grandma Dies (2024)

Caleb Tan reviews Thai comedy drama How to Make Millions Before Grandma Dies, a tear-jerking box-office sensation that has warmed the cockles of many hearts …

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Updated on 25 December 202424 December 2024Collaborative

Committee Christmas Watchlist!

Merry Christmas Eve! If your household is anything like mine, the tree is twinkling, the wine is mulling, the mince pies are being munched on, …

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Updated on 27 November 202427 November 2024Festivals Film Reviews Misc. Features

The Post-LFF Debrief

Rarely does opinion not benefit from the weight of a little time to test its strength, to see whether it holds or bends. The first …

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Recent Posts

  • Pavements (2024): On the World’s Most Important Band
  • Witches (2024)
  • Nosferatu (2024) : Return of the Frightfully Familiar
  • The Flesh of Language (2024)

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